I love interviewing directors. While it’s fun to talk to actors and actresses about their latest roles, there’s a tendency for them to give you somewhat rehearsed answers, and for the most part keep what they say pretty safe. Directors almost always feel more laid back, and in many cases can produce rather interesting and revealing responses to even the most simplistic questions. There’s no denying that Denmark-born Nicolas Winding Refn is one of the most admired and visually gifted directors currently working in Hollywood. His PUSHER trilogy and BRONSON pretty much speak for themselves in terms of dark brilliance. His newest film is the Ryan Gosling vehicle DRIVE, and it easily (in this critic’s opinion) one of the best films of the year. I was invited to interview Refn during his recent Dallas press tour to promote the film, and in a strange case of irony I got into a bit of a fender bender rushing to the interview… see DRIVE and tell me you aren’t tempted to speed a bit. Nicolas was kind enough to wait, and even asked the publicity coordinator if I was okay. Thankfully I made it and caught him just before he had to rush off. In the video interview below I speak to Nic about some classic film influences, collaborating with his talented cast and more. It’s not as long as I’d hoped to have with him, but considering my circumstances I’m lucky we got to talk at all. I can only hope people make an effort to take in DRIVE this weekend and appreciate its greatness. Look for more from Refn too, like ONLY GOD FORGIVES (a Bangkok police lieutenant and a gangster settle their differences in a Thai-boxing match) and a remake of LOGAN’S RUN – both re-teaming him with Ryan Gosling. If anyone can remake LOGAN’S RUN and make it cool, it’s this guy.
Apologies for the quality of the video and audio – because of my fender bender, by the time I got there the professional camera crew had already left, so I had to film this with my little handheld HD camera. The lighting wasn’t ideal either, but hey, we do what we can.
DRIVE is now playing everywhere